qUENTIN vERCETTY: AFROFUTURISM AND THE PLURIVERSE OF SANKOFANOLOGY

AFROFUTURISM AND THE PLURIVERSE OF SANKOFANOLOGY
 
EXPLORING DEEPER LAYERS OF AFROFUTURISTIC DISCOURSE

QUENTIN VERCETTY

​Tuesday, October 4, 12:00–1:30 pm EST

Concordia University, York Auditorium, EV.1.605
EV Building, 1515 Ste Catherine Blvd., W.
Free admission 
Wheelchair accessible

To attend online, 
register on Zoom: 
https://bit.ly/3dQaPVu

No registration is required to attend in person.

Concordia University is located on unceded Kanien'kehá:ka traditional territory.

Photo: Jose San Juan

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Breaking down the metaphoric meta-narratives and subtext in his Afrofuturistic work, Quentin VerCetty will discuss ways in which he explores Afrofuturism's relation to the Pluriverse. He will also give an interactive augmented reality demonstration of how he uses his art to encourage ideas around social change.

Quentin VerCetty (MAAE 2020, Concordia) is an award-winning multidisciplinary storyteller and an ever-growing interstellar tree. He is one of the world's leading Afrofuturistist A-R-Tographers, a founding member of the international Black Speculative Arts Movement, and is the first artist to be commissioned by Carnegie Hall for their 2022 Afrofuturism music festival.

Organized by the Ethnocultural Art Histories Research Group (EAHR) and presented in collaboration with the Department of Art History and the SSHRC-funded project “Afrofuturism in the Canadian Art Scene.” EAHR’s activities are made possible with the generous support of The Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art and the Concordia University Research Chair in Ethnocultural Art histories. https://www.ethnoculturalarts.com.